peterjamesmanos

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    Man is a Frivolous Balloon

     

    He does not know but it may be this passion

    He is forever seeking

    Is hiding somewhere in a darkening corner

     

    Deep within perhaps it is

     

    Suspended there and glinting like caverned crystal

    Or fluctuating like a pendulum balloon caught high

    On the upper masses of the air of life

     

    Or if you prefer

     

    An aquatic organism pulsing on an nocturnal ocean's surface

    Breathing breathing its life away in darkness and waiting

    To be washed upon some brilliant shore

    There to be found there to be loved

     

    Something tells him though

    That crystals jellyfishes and balloons

    Are not to be denied this inviolate love they seek

    Because their instinctive desires budding now

    Are flower-peaked and so must be fulfilled

     

    The crystal dissolves itself into a silvered river

    The balloon reaches the palaces of sky

    The fish touches upon the golden shore and then

     

    They are no more

     

    Only this frivolous balloon that is man

    With his jelly-fish-fickle mind

    Flounders constantly within the insubstantial wake

    Of a conciousness so false-crystalled

    So unrewarding

     

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    Lament for a Fallen Son 

    (Maniot Mirologia translated and adapted from the Greek)*

     

    O my Yianni my noble pallikar

    So young and brave so tall and strong

    Your footstep silent as the wolf

    Your bearing lordly as the lion

    O my cypress with roots so deep

    O my drink of water cold and pure

    O my radiant cross atop our shining church

     

    You were my moon and stars that brightened night

    You were the sun that warmed my every day

    Your fathomless eyes so blue so keen

    Your eyebrows dark and arched and proud

    Your curly hair so thick so strong

    Where nightingales could make their nests

    To sing your praises endlessly

     

    You were my chandelier of trembling jewels

    That made our nights brighter than fire

    You were my marble church with dome so fine

    That we shall never see completed

    And when you walked

    It was as if a leaf danced with the wind

    And I still hear the silence of your song

     

    And when you came to sit with us

    It was as if an eagle nestled down upon its crag

    O my sweet child my shining crown

    You fell defending our honor and our name

    And when you fell you broke our hearts

    And plunged our home into an everlasting gloom

    I kiss your eyes my son and close them now

    With silver coins

     

     

     

    * In the very southern part of the Peloponnesos of Greece known as

    "The Mani" there are special old women who sing the "mirologia"

    (Songs for The Dead)... These are spontaneous expressions of grief

    for the fallen men in the vicious vendettas that were common in that

    part of the country and existed for many generations... A friend who 

    travelled there many years ago with a wire recorder, captured some

    of these lamentations and I have translated a number of them,

    one of which is posted here...

     

     

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    Mandate For Change???*

    I was a school board member in our SAD for many years in the seventies through the early nineties... and found the greatest impediment was the "2-years and then tenure" rule and the all-powerful teacher unions... We had young teachers coming into the system full of new ideas and innovative programs, only to be stifled by the status quo of National Dept of Ed - to State Dept of Ed - to Local Administrators... all protecting their turfs... all in bed with the unions...

    Short of getting caught abusing a student, a teacher cannot be fired for being a lousy teacher... After a few years, learning how to game the system, many become simply very expensive baby-sitters... Local control through elected school boards is a joke...The status quo is so entrenched that it cannot be dismantled or replaced until fundamental and radical change is made from Washington down to the smallest community school district... Charter schools are not the answer... They already are under fire from establishment school lobbyists...

    Years ago, I led a fight in our small town to secede from our five-town district... We were very capable of providing K thru 8 and tuitioning our high-school kids to a private academy with excellent programs... We were a coastal town that was very heavily taxed by the state... (98 cents out of every dollar for education was raised locally and the state kicked in a big 2 cents...

    The legislature was so scared that we might succeed that it passed a bill mandating the other four towns would have to approve our request to leave the district... Many state legislatures are made up of teachers and former teachers and lawyers who represent their unions... It has been and still is a "no-win" situation for the most critical agenda our nation faces... We need radical change so we may compete in a rapidly changing global economy where a competitive educational environment is an absolute necessity...

     

    *NCLB act Title IX

     

     

     

     

      

     

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    The Pushcart

     

    In the spring of 1934 my father built a singing pushcart

    He designed and decorated it himself

    And after his day at the WPA (if it doesn't rain)

    He pushes it from the garage under Mr Lempke's house

    He rents for a dollar a week - over the cobbled streets

    To St Mary's Park in the South Bronx

     

    As the evenings gentle on toward summer

    He waits at the park's entrance for the old Jews

    To shuffle out of the tenements for their evening stroll

    Old men who walk arm-in-arm and read from little books

    Whispering to themselves - Nodding always nodding

    As their old women sit and gossip on stone benches

     

    The young are still at work and will stroll much later

    My father waits for them too

     

     

    As it gets dark - I walk across the park along the lamp-lit esplanade

    My net-bag full of the evening's pretzels and his sparse supper wrapped in wool

    He is always there at the bottom of the hill under the tulip trees

    Standing next to his glowing creation

     

    The pushcart he has painted lemon-yellow and apple-green with its red trim

    Sparkles gaily under the crystal entrance lamps in the smogless dusk

    I hear it singing now as I run toward him

    Dodging the tottering old Jews - Nodding always nodding

     

     

    My father's pushcart sings because the charcoal brazier roasting the chestnuts

    Also makes steam for its whistle

    It's divided into orderly sections of open boxes

    Of Butterfingers and Baby-Ruths and luscious Milky-Ways

    Their resplended wrappers glisten like jewels in the magic light

     

    How beautiful the pushcart looks bathed in that crystal light!

    How wonderful the roasting chestnuts smell!

    How good those few "silver kisses' taste

    My father always gives me for bringing the pretzels and his supper!

     

     

    Next to the chestnuts waiting to be roasted and the peanuts waiting to be warmed

    Are rows of crimson pistachios and dried pumpkin seeds

    And striped sunflower seeds and rockhard salted chickpeas

    Like the ones my friend Louie Dinardi steals from his father's store

    And uses in his sling-shot to pop pigeons

     

    But my favorites are the big butternuts from Brazil

    I ask my teacher Miss Carlson where Brazil is

    And she shows me on the big earth-ball in the corner

    And says it's thousands of miles away - so that’s why they're so expensive

    Because it costs so much to bring them on a ship

    Across the ocean to the Bronx

     

    Once a week I sit with my mother at the kitchen table

    As she cracks their big brown shells

    My mother carries my little sister who has polio in from the bedroom

    And we both help her count the tasty nuts into little yellow bags

    My father sells each little bag for a nickel

    Sometimes my mother lets us have one or two for helping her

    But never takes any for herself

     

     

    My father also sells those big chewey pretzels covered with coarse salt

    He stacks them high on little round sticks at the back of the pushcart

    So very early each Sunday morning before church

    I roll my rusty Radio Flyer to the Jewish bakery on 3rd Avenue

    It's in the cellar of a big tenement under the EL

    The men who work there wear little round caps on the backs of their heads

    And sweat a lot even though they don't have any shirts on

    They're always covered with flour

    And laugh and yell at each other all the time 

     

    Their boss is a great big giant Rabbi with a dirty grey beard

    He has long curly hair way down in front of his ears and it swings back and forth

    As he fills my net-bags with pretzels

    And helps me carry them up from the cellar to my wagon

    I give him the coins wrapped in an old sock and he pats me on the head

    And gives me a free salty pretzel still warm from the big stone oven in the cellar

     

    When I get home my mother puts the pretzels in our oven

    She keeps them there all week and only takes out a few each evening

    So I can bring them to my father to sell when I bring his supper

    She lights the oven a little bit each day to keep them crisp and chewy

    And only takes them out when she bakes bread or spinach pie

     

     

    The best times of all though

    Are the sunny Sunday afternoons in the summertime

    When the Midbrook Giants play the House of David baseball team

     

    So early on Sunday morning before church if it's not raining

    I help my father push the pushcart to the ballpark near the river

    So we can get the best spot at the bottom of the stairs

    Everybody has to use them to climb up to see the games

    Because the field is so much higher than the street

    It was made out of thousands of tons of dirt and rocks

    The city dumped there long ago

    When they dug the subways under the Bronx

     

     

    When church is over I run back to the ballpark

    Even before the double-header starts I walk among the families

    Spread out on their blankets with my basket full of five-cent bags of peanuts

    I still remember the afternoon I set my all-time record

    Ninety-three bags! - Wow! - Ninety-three bags!

    My father couldn't believe it when I kept coming back for more!

    He stores a hundred-pound bag in his friend Mr Stavros' old truck

    Mr Stavros and his wife sell hot dogs and orangeade from their truck

    And she helps me fill all the extra bags with peanuts

    My father told my mother more than once - about all the bags I sold

    When he got home that night from St Mary's park

      

     

    There are two colored guys on the House of David

    But no colored guys on the Midbrook Giants

    And the House of David almost always wins

     

    Before the second game starts the players find a pretty girl to pass the hat around

    Then the House of David picks out a little kid to try and guess

    Which one of the players has on a fake beard

    The prize is a great big shiny silver dollar and eveybody laughs

    At the faces the House of David make as the kid pulls on their real beards

    Most people know who it is but the kid almost never guesses

    That it's the skinny manager in the dugout until she comes out

    And gets in line with all the ballplayers and takes off her hat and her fake beard

    She gives the kid the silver dollar anyway

     

     

    Sometimes my father gets arrested by the cops

    Because he doesn't have a license for his pushcart

    My mother tells him to pay the alderman like the others do

    But he refuses because he says it isn't right

    And God will punish all those rotten crooks someday

     

    So the cops park their police car around the corner of the tenement

    And walk through the cellar and sneak up on him

    Most times they come early and it's my job to watch for them

    And when I see them I run and tell my father and he moves the pushcart down the street

    One of the cops who rides a police horse in the park is my father's friend

    And he told him that as long as he is moving his pushcart down the street

    They can't arrest him

     

    But sometimes the cops arrest him anyway

    And I have to help him push that heavy cart a very long way

    To the Alexander Avenue police station - The cops follow us slowly in their car

    The people in the street yell at them to leave the poor man alone

    "You bums"... He's only trying to feed his family"... they yell

    But the cops don't care and lock him up all night with the drunks

    He tells me to go home and tell my mother he won't be home

    Until he pays his fine to the judge in the morning

    And for me to bring the pretzels and his supper again tomorrow night

    Unless it rains

     

    The cops make my father push our beautiful pushcart

    Into their garage before they lock him up

    In the morning all the nuts and candy-bars and pretzels are gone

    (A few years ago they made a movie about that police station

    They called it "Fort Apache - The Bronx"

    And Paul Newman and Ed Asner played the cops

    It was just about the only building left standing on that block

    Because the junkies had burned everything else around it down)

     

     

    In the winter when it snows and the park is bare

    And the pushcart sits silent and empty and cold in Mr Lempke's garage

    My father sells old flowers in the subway cars all night

    He gets them from the wholesale markets on West 28th Street

    After the ice has melted in their iceboxes

    And the florists throw the flowers out because they're spoiled

    He takes me with him on the EL when I get home from school

    And we pick out the best flowers from the rusty barrels in the street

    In front of their stores

     

    I help him tie the flowers into little bundles

    And together we arrange them in his enormous flower basket

    And before he goes down into the subways for the night

    He puts me back on the EL and sends me home to my mother and sister in the Bronx

     

    Sometimes before I go to school in the morning

    He comes home all hurt

     

    He tells my mother they beat him up again last night

    After he sold his flowers and they stole all our money

     

    After my father goes to bed

    My mother hugs me very tight - and cries

     

      

     

     

     

     

     

     

     

     

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    Whale

     

    He remembers he could smell it before he saw it

    What was left of it before the ravens and gulls finished it

    Once he even caught a family of coons slipping from the woods

    To dine on it - Snuffling and snouting their way

    Through the last vestiges of drift-net

     

    He recalls a flawless flooding moon last summer

    And the wild wind that must have floated it on an exaggerated tide

    From some remote deserted cove

    A bloated gas-bag still enmeshed - It must have perished terrified

    Exhausted by its battle within its prison of fine plastic fiber

     

    Now all that was left was a skeletal abstraction

    A symmetrical museum piece sculpted by some classical sea-god

    Cleansed whitened bleached and anchored by shifting sand and gravel

    Its graceful bones strung with trembling threads of weed

    And long strands of snake-like kelp dried stiff

     

    Fortunately its last breath sucked through its breathing hole

    Was unheard by bearded professors from Orono

    And do-gooders with winches and yellow poly ropes

    Their wenches tearfully attempting to atone for a heartless humanity

    That could have allowed this to happen

     

    He wondered when he first saw it

    How old it was before it died and did it father itself or mother itself?

    In other words - Duplicate itself

    Has it learned its lesson and is it swimming free again

    Sounding in safety beyond the great banks?

     

     

     

     

     

     

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    Swept Air

     

     

    So they slog up this narrow valley above the dams

    After the remnants of typhoon have passed

    And stall at a cave-drilled hill terraced for rice

    As the sky rains mortar down

     

    So they send up a combat team

    Mostly guys from Kentucky Tennessee and West Virginia

    To flush the caves where the slants are hiding

    The ultimate coon hunt

    And they stall too

     

    So they blast them with an amplified Neisi-wire

    And tell them to come out - that no one will hurt them

    But no one comes out

     

    So they call in some Hellcats from Lingayan with jelly bombs

    And the "Cats set the whole hill on fire from the top

    A beautiful cascading waterfall of fire

    Flowing down over the terraces

     

    So they watch the fire roll across the cave-mouths

    And kill the air inside where the slants are hiding

    And the next day they go up through the stink of phosphorous

    Into the caves and see them

    Almost a hundred of them - not a mark on them

    Collapsed

    All twisted and collapsed

    The slants with their Manila whores and kids

    All caved in and collapsed

    Air swept completely from their guts

    All collapsed

     

    So what else is new?

     

     

     

     

     

     

     

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    Fog Patterns

    There was a time once long ago – when his world turned itself off

    It was still there – sort of – dim filmy foggy opaque obscure

    And he was lost in it – Evinrude shear-pin busted on a pot line

    Besieged by a vaporous maze of colorful markers with darkness coming on

    The only hope a red-striped yellow styro-buoy – one of Old Carl’s

     

    So he rowed over and reached down and fished it out and tied up to it

    Praying the trap that it was attached to on the sea floor

    Had a cement-slab base heavy enough to hold him from drifting off

     

    He could hear faint groans grunts occasional barks

    From a seal colony somewhere close-by on some ledges off in the mist

    They probably heard him too – swearing cursing angry

    At his fouled-up motor and a faulty compass

     

    Those seals should not be there because those ledges should not be there

    Idiot that he was to venture out in such thick soup

     

    Then suddenly the skiff was bumped real hard and he lost his balance

    And fell over the gas-can – flat on his ass

    That old bull seal charged again – stove in the side of that aluminum skiff

    One more loud bark and then he’s gone – diving under him

    Back to protect all his wives and kids – like a good dad

     

    He froze all night in that dented skiff

    Until Old Carl came by at dawn tending his traps and picked him up

     

    “Mind you don’t set your compass by that metal gas-can again young feller”

    “Sends her all ajigger… don’t you know?”

     

     

     

     

     

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    Ondine 

     

    Her image triggers a heat in his loins

    As she roams knee-high in the rush of surf

    Pink shimmering hair streams over pale shoulders

    Pale breasts pale buttocks pale legs

    Polished by glistening salt

     

    Eyes raised to the luminous moon

    Lips parted by stars

    Twin tiny cactuses coraled in pink

    She wanders the watery wastes

    Past twisted swamp-willows

    Revisited in yesterday's dreams

     

    He follows as striated knifings of mollusky shells

    Blackish blue-grey and sickening white

    Slice at his feet

    Stone barnacles pierce tender toes

    Salt stings

    Slats broken from traps float sluggishly past

    Galvanized nails needle his skin

     

    Unknown to her

    She's marked by touches of blood from his wounds

    As she weaves a carved lobster claw into her hair

    Discarding the faded shore lilies like him

    Shrivelled and old

     

    He reaches to catch her as she floats past

    Pink-tentacled hair spread on the inky brack

    Nipples and bush

    Faint pinky-points glow in the deep greening of swamp

    She sinks under the weed-petalled sea

     

    He hears the purrings of cat

    And knows he will never see her again

     

     

     

     

     

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    The Model  

     

    This evening together on the waterbed it wasn't anything

    Like he imagined - This coarseness, this unexpected vulgarity

    A clockworks complication

    Yet prelude to the sensual vineyard he'd hoped it would be

     

    Dressed in flowers screened on cambric she herself had spun

    She preened before the fly-blown glass

    Then settled on the redolent slosh beside him

    And shed the brilliant shift

     

    She wasn't pretty - This solid scandinavian

    Her skin a mottled marble - She was layered and full-buttocked

    God how he wished her long-legged

    With gentle spaces between ribs he could stroke with his nose

     

    Yet here she was smiling in the half-light

    All lumps and inelegant hillocks

    She seemed to him crass fatuous inane

    A slightly screwy curl of lip an invitation for him to begin

     

    All summer he told himself he really sort of wanted her

    She had such beautiful eyes and long bright hair

    The palest natural blond polished still brighter by the island sun

    It really became her

     

    He watched for weeks as she worked at the fragile wheel

    Flacid fingers feeding flax - remarkable in their dexterity

    The straw-colored floss matched her lovely braids

    It had set him off and he loved her for it

     

    Spinning though just passed the time - She was there to pose

    Draped across a chaise - The flowing folds of fat gave us fits to draw

    Unlike her friend whose angry angularity was slashed out quickly

    Almost without looking - She rippled as she undulated to the bell

     

    All summer he sort of wanted her but she was taken

    Now her friend - That dark acrimonious broad was gone - All ribs. Long legs

    All bones and sharp corners - She left this morning with the others

    And so tonight summer would be over for them both

     

     

     

     

     

     

     

      

     

     

     

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    Phoebe Starling

     

    Last - When have you seen the osprey spiral-spin for fish

    Far above Monhegan's cliffs

    The honeyed field of marsh below the stones of Cemetery Hill

    The cathedral of the pine with its mechanical ants

    The hands of Phoebe Starling?

     

    Last - When have you seen the streaking shag

    The sunning seal ledged to the running sea

    And tumult in the northern night

    The beached and broken bits of glass

    The eyes of Phoebe Starling?

     

    Last - When have you heard the gulls scream for discarded scran

    Fog-blinded sheep bleat at the cadenced horn

    The lyric of buoy's bell song

    The island wren lilt through moss rose

    The voice of Phoebe Starling?

     

    Last - When have you touched the bending widow-wail

    The moss at night

    The fragile synapta within the sand

    The willowed maiden-hair

    The hair of Phoebe Starling?

     

    Last - When have you kissed the golden image in an oil-lit church

    The hands of your forgotten mother

    The cheek of some forgotten child

    The fingertips of some forgotten love

    The lips of Phoebe Starling?

     

    Last - When have you loved within the hazes of the night

    Loved within the stark stark day

    Loved within the pulsing of the living island land

    Touching the wisp of spider-spun and

    Watching the berry tree ripen and

    Listening to the throbbing sea and

    Bending to kiss the granite graved with

     

          "Here Lies Phebe* Starling

                    Aged 1 Mo.

             Died March 4 1784"

     

     

     

    Phoebe was the first white child buried on Monhegan, an island some twenty miles off the

    coast of Maine…There are indications that Vikings visited there centuries before Columbus…

     

    *sic