March 20, 2013

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    The Model   

     

    This evening together on the waterbed it wasn't anything

    Like he imagined - This coarseness, this unexpected vulgarity

    A clockworks complication

    Yet prelude to the sensual vineyard he'd hoped it would be

     

    Dressed in flowers screened on cambric she herself had spun

    She preened before the fly-blown glass

    Then settled on the redolent slosh beside him

    And shed the brilliant shift

     

    She wasn't pretty - This solid scandinavian

    Her skin a mottled marble - She was layered and full-buttocked

    God how he wished her long-legged

    With gentle spaces between ribs he could stroke with his nose

     

    Yet here she was smiling in the half-light

    All lumps and inelegant hillocks

    She seemed to him crass fatuous inane

    A slightly screwy curl of lip an invitation for him to begin

     

    All summer he told himself he really sort of wanted her

    She had such beautiful eyes and long bright hair

    The palest natural blond polished still brighter by the island sun

    It really became her

     

    He watched for weeks as she worked at the fragile wheel

    Flacid fingers feeding flax - Remarkable in their dexterity

    The straw-colored floss matched her lovely braids

    It had set him off and he loved her for it

     

    Spinning though just passed the time - She was there to pose

    Draped across a chaise - The flowing folds of fat gave us fits to draw

    Unlike her friend whose angry angularity was slashed out quickly

    Almost without looking - She rippled as she undulated to the bell

     

    All summer he sort of wanted her but she was taken - Now her friend

    That dark acrimonious broad was gone - All ribs - Long legs

    All bones and sharp corners - She left this morning with the others

    And so tonight summer would be over for them both

     

     

     

     

     

     

     

     

Comments (2)

  • Peter, your descriptive ability captivates me. I can picture both women. Even though the second is barely referenced, I could imagine her type and personality. The spinning put me in mind of Rumpelstilskin's spinning princess, though this woman, when she was not artistically occupied, was more suited to a farm than a castle. The water bed puts me in mind of a mid-20th century, sexually experimental scene. It would seen the art student really yearned for what didn’t exist. If he’d gotten the thin woman, her attitude (and bony fame) might have actually turned off his desires. I enjoyed. Please visit me and comment on my latest poem if you have time. --Elaine

  • I enjoyed reading this. For some reason the words 'be careful what you wish for' came to mind.
    These three words jumped out at me, 'crass fatuous inane'. I'm not sure why they caught my attention.

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